Robe à l’anglaise (2021-) is an ongoing photographic series that negotiates the artist’s experience as a “mestizo” (i.e. a person of “mixed” Filipino descent). This is managed by depictions of the artist wearing a costume based on the 18th century dress known as a robe à l’anglaise (lit. “English dress”).
In the colonialist mindset, “mixed race” people disturb a status quo that relies on the separation of people according to “race”. Accordingly, “mixed race” people have been subjected to assimilation practices that erase their perceived in-betweenness. As a “mestizo”, the artist’s wearing of the robe à l’anglaise – a dress once favoured by a colonialist elite – speaks to the legacy of such practices in contemporary cultures. For instance, the act of wearing such a dress demonstrates the visceral experience of “mixed” people in modern systems that require them to conform to a dominant culture.
Conversely, the series manages an expanding collection of content and compositional techniques that speak to a variety of experiences and discourses. For instance, the subject interacts with different objects, takes on different roles, and interacts with changing settings from frame to frame. As such, the series encourages a multifaceted reading of the subject’s identity that helps us recognise its significance beyond a colonialist paradigm. This is an objective of the artist’s practice generally.
Overall, the project may pose a number of questions about identity in a colonised world. How much has colonialism affected our understanding of identity? Is “mixed race” a redundant notion or does it remain relevant in the modern period? Can we live without separatist notions of cultural identity or do we rely on them?